Reinhold and Franz climax their feelings for each other in raw no-holds-barred contact; love as a technical knockout. To take just a couple amaterasu research papers of examples, the massive pile of bodies in the 'dream slaughterhouse' (the screenplay specifies who's there: "Lina, Meck, Mieze, Cilly, Eva." and the others) recalls not only concentration camp horrors that would be released by the millions of frustrated, self-blinding "cogs". At first he brought his strong Communist sympathies to a series of topical films but, like so many others, he renounced his former beliefs when the Nazis came to power. 21 31 Novel Part 2 job to job October 13 / 1 hour 3 A Hammer Blow To The Head Can Injure The Soul. The result, if the poets intensity of attention is sufficient, will be a poem that brims with its own knowledge, water trembling as if miraculously above the edge of a cup. This is a place where nothing is ever settled.
Susan Sontag (January 16, 1933December 28, 2004) spent a lifetime contemplating the role of writing in both the inner world of the writer and outer universe of readers, which we call culture from her prolific essays and talks on the task of literature to her.
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Most of the dozens of variations on Franz's theme are played on a bluesy harmonica, that's usually associated with the American South, which is also suggested by the faintest trace of Max Steiner's "Tara's Theme" from Gone With the Wind in Raben's central four-note phrase. This diffusion effect is achieved by putting a silk stocking over the camera lens and then shooting on a set filled with smoke or fog. The lit and shadowed placed within us can be warmed. Fassbinder has an uncanny gift for being able to pinpoint where and how melodrama transforms into human truth. This is personal filmmaking at its most extreme and dizzyingly subjective. It's almost like Hamlet's take on his mother, who "protests too much." Look at the names. Fassbinder pares away to the emotional core of Döblin's characters and he does so in a highly formal, effectively reductionistic way.
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